Lingzi (Chinese: 翎子), also called zhiling (Chinese: 雉翎), refers to a traditional Chinese ornament which uses long pheasant tail feather appendages to decorate some headdress in Xifu, Chinese opera costumes. In Chinese opera, the lingzi not only decorative purpose but are also used express thoughts, feelings, and the drama plot. Most of the time, lingzi are used to represent handsome military commanders. The lingzi are generally about five or six feet long. It is suggested that the use of lingzi originated from the wuguan (Chinese: 武冠; pinyin: wǔguān; lit. Similar headgear decorated with pairs of lingzi worn the military can be seen in paintings dating to the Ming dynasty. King Wuling’s hufu-style guan was less pointy than the actual Scythian hat and he decorated his hat with a marten tail to denote his noble status. During the Warring States period, King Wuling of Zhao adopted the hufuqishe policy and a hufu-style guan which looks similar to the conical hat of the Scythian was adopted. King Huiwen of Zhao later wore the same hufu-style guan as his father, King Wuling; and therefore this type of guan was named zhaohuiwenguan (Chinese: 趙惠文冠; pinyin: zhàohuìwénguān; lit. Many years later, the zhaohuiwenguan evolved into the military cap called wuguan. The King of Qin later give the hufu-style guan of King Wuling to his servant as an insult to King Wuling after the latter had destroyed the regime of the Zhao state. By the Han dynasty, a wuguan decorated with pheasant feathers became known as heguan (Chinese: 鶡冠; pinyin: héguān; lit. 16 The heguan was first worn in the state of Zhao to distinguish military officers during the Warring States period. The snow pheasant (Chinese: 鶡; pinyin: hé) was a symbolism of martial valour and courage due to its association with the snow pheasant which would fight its opponent until death. 293 The heguan was possibly itself derived from the hufu-style guan adopted by King Wuling through hufuqishe policy. These skills include shaking and swinging; sometimes the lingzi are shaken with one hand but sometimes two hands are used. The skills required to manipulate the two pheasant feathers are known as Lingze. The skills of Lingze are used by many roles; however, they are especially used in the Xiaosheng role. When combined the movements of the head and body of the actor, the movement of the lingzi express the feelings and dispositions of the character, which include the expression of surprise, hatred, happiness, and frivolity. The wuguan (武冠) is often translated as “military cap” in English language literature and sources. Wang, Ningning (2019). A history of ancient Chinese music and dance. Zhengshuan Li, Xin Wang, Yundi Gao. Salt Lake City. UT. 2021-12-01). “Chinese Costume Knowledge 1 – What is the long strip on the helmet in the opera costume”. Wallace, Leslie (2020). “Does a feather in your hat barbarian make? Headgear and hairstyles in Han dynasty tomb murals in the Ordos”. Rui, Chuanming (2021). On the ancient history of the Silk Road. The art and archaeology of bodily adornment : studies from Central and East Asian mortuary contexts. Feng, Ge (2015). Traditional Chinese rites and rituals. Sheri Lullo, Leslie V. Wallace. Zhengming Du. Newcastle upon Tyne: Cambridge Scholars Publishing. Hoboken: Taylor and Francis. Cua, A. S. (2013). Encyclopedia of Chinese Philosophy. This page was last edited on 21 June 2023, at 04:29 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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